Dewitched: The Untold Story of the Evil Queen by E. L. Sarnoff

Here's a fun mashup of fairy tales: E. L. Sarnoff's Dewitched.  The premise of this one is a lot of fun -- after the evil queen's plans to kill Snow White are thwarted, she's entered into a rehab program, by none other than the Huntsman she had trusted to help her with her wicked plan.  With a steady barrage of familiar fairy tale characters, and lively writing, this one is a page turner.

The only real problem I had with this was the constant use of sexuality and ugliness equating to wickedness among the female characters.  This was all from the viewpoint of the rehabilitated queen, whose thoughts and attitudes don't change so much as she learns to progress from her initial impulses of anger and jealousy.  So I suppose it's a matter of the character, but I felt uncomfortable with the constant uses of the words "skank" and "whore" as derogatory terms.  There is also a whole can of worms about body image here and I didn't feel like the writing handled that in a fully responsible way -- in spite of the premise that the queen must overcome her inability to see inner beauty, there is a consistent use through the book of ugliness or ugly terminology to depict evilness.  So if that is a hot button for you, I would avoid this one.

However, it is a fun romp with a lot of clever writing in terms of the use of fairy tales and sly puns about them.  Some of the throw-away mentions of other tales startled laughter out of me and there are good chuckles throughout the book, both in the fairy tale references and the characters themselves.

It's a light and funny read, with a cute premise and a lot of great cameos.  The book didn't go quite where I was hoping it would, but with some surprising twists near the end it was enough to keep me guessing.  It's only available as an ebook now, and for the low price it's a fun afternoon read.

Hoodwinked Too! Hood vs. Evil

I went to see Hoodwinked Too! Hood vs. Evil last weekend. Bringing back the elements that I loved from the first one: movie and pop culture references, a kick-ass Red Riding Hood, and a lot of humor.

However... it failed to have an engaging plot. I mean I REALLY enjoyed the first one, and the sequel left me feeling a bit... hollow. I saw it in 3D because that was the only option at my theatre. Now, I don't hate 3D, but I don't think it adds several dollars worth of entertainment value per viewing. It's nice and all, but there are no instances where I think it adds so much to the film to be classified as "necessary." Good scenery will not make me love a movie.

Some of my acquaintances complained about the original movie's lack of stunning CGI quality. I stood up for Hoodwinked, defending it by right of "The STORY is awesome." I... can't say the same for the sequel. In the absence of a tight plot, the audience starts to look at the scenery. And it's not that impressive, especially with CGI technology becoming what it has.

So--problems. The writers had the characters do the thing, you know, where two characters are fighting, and we're not really sure they're that invested in what they're fighting about, and the argument is basically just a "let's move the plot along," thing. You know what I'm talking about. And it gave Red and the Wolf an almost uncomfortably sexual tension. (Which I am fine with in some interpretations, but it felt grossly out of place here.)

The first movie did a great job of taking a simple fairy tale plot, fleshing out all the characters, and letting the movie ride on their organically developed motivations. The second movie failed in every aspect of that. Also, although Hayden Panettiere did a good job, I couldn't help missing Anne Hathaway's richer and more complex voice-acting.

It had enough humor and enough references to other fairy tales to keep me chuckling: I would call it entertaining but not good. It's worth renting, popcorn for your brain.

Shelley Duvall's Faerie Tale Theatre: Hansel and Gretel

Faerie Tale Theatre's version of Hansel and Gretel had me worried, because Hansel and Gretel is one of those fairy tales that I tend to think of as being so straightforward and uncomplicated that I couldn't figure out how to get a full fifty minutes out of it. However, there is enough story there to make it happen, and although the writing on this one wasn't particularly sparkling with wit, the kids are cute enough that the episode worked.

Joan Collins as both the mother and the witch was a nice touch. Although FTT doesn't take the idea anywhere, it's definitely suggestive in the story concept: the threat to the children comes from an older female. And the step-mother's unexplained death at the end of the episode certainly parallels the witch's death. Since nothing is explicitly stated, my interpretation is that FTT decided to add an extra layer to the story, for those grown-ups who may be watching. I certainly don't remember catching on that the witch and the mother were the same actress when I watched it as a child.

This is one of the few episodes where FTT really goes above and beyond to make this ending happier than the original tale. Not only do Hansel and Gretel escape, and find their father at home, but all the children who the witch had previously eaten were restored from their gingerbread forms.

The complete collection is pretty reasonably priced at this point, just about $30 new.

You can also watch the episode on hulu.

In weird juxtaposition news, as I was watching this I was in the middle of rereading Little House on the Prairie. As the step-mother complained that if father didn't sell his wood, they wouldn't have any bread to eat, I couldn't help but think: "Start a garden, woman! What are you doing all day?" (Well, eating gingerbread children, perhaps.)

A Tale Dark and Grimm by Adam Gidwitz

Brilliant book.

Adam Gidwitz has, first off all, created a fairy tale book with all the grim and gory you could ever wish for. You know what I'm talking about--fingers cut off, body parts in the stew pot, skinned beast becomes boy.

And then, in a stroke of brilliance, Gidwitz pulled 5 of the more obscure Grimm tales, and found Hansel and Gretel wandering through them, tying them together in one of the most satisfying fairy tale books I've ever read.

With plenty of authorial intervention (e.g. "Please send the small children out of the room!") overseeing the narrative, there's no holding back: the stories themselves are transposed directly from Grimm (the grimmest!), but with Hansel and Gretel weaving their way through. It's clever, fun, and I finished it in a day.

Pick this one up before March to join in with the Sur La Lune book discussion!

The Book of Lost Things by John Connelly

I was really hesitant to read this when I heard about it, because I am wary of books about children that claim to be for grown-ups. Not that that's a recipe for failure, by any means, but it made me set it aside, mentally, until it popped up again in my life in the form of my friend Annamarie.

Annamarie is not a BIG reader. She loves books about horses, and fairy tales where everything comes out okay in the end. I have recommended a lot to her; she had never returned the favor--until The Book of Lost Things. Which she insisted emphatically that I read. And dragged me to a bookstore, and bought it for me, and put it in my hands, and sat me down, and forced me to read the beginning so that I would be hooked and read it right away.

Which I did, nearly in one sitting. And oh my. What an excellent recommendation.

This is the story of David, a 12-year-old boy who's just lost his mother. When his father remarries and has another son, David retreats into his books and fairy tales, but gets much more drawn in than he expected.

And, oh, the references and rewritings. With many stories twisted into new shapes (including a Beauty and the Beast where the Beast is the woman--and the Beauty does not free her from her spell--and a Sleeping Beauty where the sleeper awakens every night and is more of a danger to the princes than any thorns ever were), David explores a new land where the greatest danger will be the ones he calls from his own imagination.

Try to figure out who the villain is before the reveal at the end. (Yeah, I totally did.)

This is now one of my favorites books. (I don't say that too often, do I???) Check it out!

I do recommend the paperback edition with the red cover, as there's a section of notes at the back of the book, with Connelly's thoughts on the fairy tales he used, as well as original versions of the tales.

AND

I know that I say "This is one of my new favorite books!" far too often, especially here where I am talking about my favorite kind of book. But I really want to back that up this time, with this exceptionally good book.

SO.

A GIVEAWAY!

Post a link back to this blog on your blog for 1 entry, or on twitter for 1 entry. (If you have multiple blogs you can have an entry for each blog you post on, but only one entry per blog.)

Be sure to put a comment on this entry so I can see your links!

I'll draw a random winner on Friday, December 3rd, and I'll send the winner a copy of The Book of Lost Things.

The Godmother by Elizabeth Ann Scarborough

I just finished reading The Godmother, by Elizabeth Ann Scarborough.

I was pretty impressed by how well the fairy tales fit into modern Seattle, and I enjoyed the themes the main character, Rose, pulled out of the book of fairy tales. I won't go into details, but I will say that Cinderella, Snow White, Hanzel and Gretel, Bluebeard, and Puss in Boots all make appearances of various kinds.

I felt like the book wrapped up a little too quickly, something like, "My, this is quite a word count I have! Time to end things!" However, upon consideration, I felt that kind of fit with the rush the characters themselves felt they were in, and to be fair, I did read the second half of the book in one big chunk, after taking several... weeks? to get through the first part. (I'm one of those people who is always reading about 20 books at once.)

In any case, I feel that if you enjoy fairy tales, you'd like this book.

The Magic Circle by Donna Jo Napoli

I just finished reading The Magic Circle, by Donna Jo Napoli, and it's one of my favorite books by her.

A lot of the time I find Napoli's style of narration to be a distraction from the characters she is trying to create--this is a personal opinion and I know that her style works for many readers. However, in this case, I think her normal voice fits so well with the unnamed protagonist in this retelling of Hansel and Gretel--that is to say, the witch.

And Napoli has done an impressive job of taking a character typically represented as wholly evil and making her into a sympathetic protagonist. I won't say, of course, just how she does it, because I wouldn't want to give anything away. But if you're a fan of new viewpoints in old fairy tales, I definitely recommend it!

http://www.donnajonapoli.com/